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Comparing Optoma’s UHD65 and the UHD60 Part II This is a continuation of our previous blog post Optoma UHD65 vs UHD60 where we compared color, contrast, and brightness. Here we will look at detail, motion processing, and share with your our conclusion. Detail Since both projectors are the same resolution, we did not expect to […]
Comparing Optoma’s UHD65 and the UHD60 Since we first did some direct comparisons a few weeks ago, we have received many requests to compare the UHD65 to the Optoma UHD60. We also received many requests to do a calibrated comparison. We originally were more interested in the new DLP 4K UHD technology – but since […]
The comparison between the Optoma UHD65 and the Epson Pro Cinema LS10500 proved to be very interesting. The Epson Pro Cinema LS10500 uses three reflective LCD chips which, like the Sony, are known for their superior black levels (which are very desirable in a good home theater projector). Good blacks, or deep blacks, can result […]
We were surprised to see how well the Optoma did against the Sony VPL-VW365ES. We were anxious to see how it held up against the Epson Pro Cinema 4040. The Optoma UHD65 delivers all 8 million pixels to the screen while the Epson 4040 uses a 4K “Enhancement,” or pixel shift, to create 4 million pixels on […]
Basic calibration was done, using a pluge pattern, to set black levels. A white-on-white chip chart was used to set contrast levels. This is critical in any side-by-side comparison to ensure maximum contrast and maximum detail in both shadows and highlights. Color temperature was set to 6500 degrees by using the manufacturer settings. Optoma UHD65 […]
